Khamoshiya Hai Khamoshiya from movie Angry Young Man – Angry Young Man is an action romantic thriller Hindi directed by Ramesh Rout, starring Ajay Sinh Rathod and Prachi Sinha in leading roles. It was released on 11 April 2014 in India.
Jiya Le Gayo Ji Mora Sanwariya from movie Anpadh – Kindly Dr. Gupta (Ashok Kumar) is preparing to retire, and hopes to marry his daughter Jyoti (Zarina Wahab) to his associate Dr. Anand (Parikshit Sahani). Anand does not have time to romance, or assist Dr. Gupta on his large egg farm, so he hires a college friend as property manager, Mukesh (Vijayendra). Jyoti is entranced by Mukesh, and against her fathers wishes decides to marry him. Mukesh has his eyes set on the good life, but unknown to Jyoti he is already married to Geeta (Sarika), whom he abandoned with a child when he found out she was Anpadh (illiterate). Dr. Gupta has an accident one night, injuring a woman named Geeta and brings her home to recuperate. He teaches her how to mingle with high society, dress and eat properly, and ensures the education of her son. In return for his decency and compassion, Jyoti prepares to marry Dr. Gupta. When her father arrives for the festivities, he recognizes Mukesh.
Ghapla Hai Bhai from movie Hu Tu Tu – Panna is the only daughter of politician Maltidevi. Panna is very critical of her mother, when she decides to separate from her dad, and asked Chief Minister Sawantrao Gadre to move in with them, for political reasons. Sawantrao has been using Maltidevi to win his election, which he does. Malti avenges this humiliation, wins the next election, and has Sawantrao killed. Malti then becomes the new Chief Minister. The main thorns on her side are Bhau, the leader of the downtrodden lower caste dalits, and her very daughter, who is very friendly with Bhau. One day Panna is abducted by Aditya and his group of revolutionaries, and held by them. It is there that Panna learns about the atrocities committed by her mom in the name of politics, and it is then she must decide whether to be loyal to her mom, or take the side of Aditya and the revolutionaries.
Tum Mere Ho from movie Betaabi – At one time Mr. Ajmera lived a middle-class lifestyle along with his wife, Sumitra and daughter, Sheena. He was friendly with another middle-class man, who lived with his wife and son, Sameer. Both friends decided that they will get Sheena and Sameer married when they come of age. Ajmera went on to get wealthy, and forgot about Sheena and Sameer’s marriage, while Sameer’s dad passed away leaving his widow and son to live a poor lifestyle. Years later Sameer has grown up and his mom wants him to get married to Sheena much to the displeasure of Ajmera who wants her to get married to his wealthy partner’s son. Sheena, who loves challenges, asks Sameer to abduct her and take her to Gateway of India in Mumbai and it is then and only then will she marry him. Sameer agrees to this and both run away. What Sameer does not know is that Sheena has asked Shekhar to stop Sameer at any and all costs, little knowing that Shekhar is not who he is claiming to be, and has a secret agenda of his own.
Kisne Pehchana Khel Mann Ka Anjana from movie Gumshuda – ;
Araz-e-shauq Aankhon Mein from movie Bahu Begum – Lucknow-based Zeenat Jahan Begum lives with her widower father, Nawab Mirza Sultan, and Kariban Bua. Despite losing their riches, they rent part of their mansion, pretend to be wealthy, eat Kichdi and call it Dal Pulav. She is in love with Yusuf and would like to marry him. When her father arranges her marriage, she assumes it is with Yusuf, but is in for a shock when she finds that her groom is wealthy Nawab Sikander Mirza. Dressed as a bride she goes to seek shelter with Yusuf but is told by his maternal uncle, Mir Qurban Ali, that Yusuf does not love her and has re-located to Allahabad for three months. She returns home but her disgraced and enraged father asks her to leave. She then attempts to go to her in-laws but is unable to speak freely with her ‘husband’. Devastated she turns to the Dhargah, passes out, and when awakens – finds herself in a brothel run by Naziran Bai. Quite unknown to her, both her father and husband are pretending all is well in order to keep their families’ honor intact. Things change rapidly when she will be asked to go to her in-laws as a temporary ‘wife’ in order to facilitate the marriage of her sister-in-law, Suraiya.
Subha Hone Na De from movie Desi Boyz – Based in England, Nikhil Mathur is employed as an Investment Banker and has a idealist girlfriend in Radhika Awasthi. His friend, Jignesh Patel, works as a Security Guard in a mall and is the guardian of Veer, his late sister’s son, and under close scrutiny of the Social Services Department. Global recession takes a toll on Nikhil – he not only loses his job but also his investments, while Jignesh gets fired for failing to prevent theft by a minor. Nikhil is unable to find employment and after Jignesh gets fired from yet another job, the duo end up working as male escorts with ‘Desi Boyz’ as Rocco and Hunter, and bring in enough income to keep them going. Radhika soon finds out and dumps Nikhil, while a Social Worker, Vikrant Mehra, takes custody of Veer and has him placed in a foster home. With their lives turned upside down, the duo blame each other and part company. Unable to even speak with Radhika, Nikhil is dismayed when he finds her in the company of a new boyfriend, Ajay Bapat. With the adverse publicity generated by their involvement as male escorts – and the recession holding strong – what will the duo do in a country where people, including educationists, racially profile ethnic minorities with impunity.
Shahidon Amar Hai from movie Golconda Ka Qaidi – ;
In Naseheli Aankho Se from movie Dil Mera Dhadkan Teri – Divided by class and status, Saad and Saira’s union falls apart when the self-centered and jealous Beenish enters their lives.
Koi Patthar Se Na Mare from movie Aaja Nachle – An unexpected phone call shakes Dia (Madhuri Dixit) out of her dance rehearsal in New York. Her teacher, her guru, is dying and she must return to India. The town where she grew up, the town where she learnt to live and to dance. Also the town she left on an impulse, severing ties with her parents and her people. It is a poignant and troubled return; not only has her guru passed away but the institution that he so lovingly nurtured is in decay and under threat of demolition. Ajanta theatre, the once vibrant hub of the community, the place where Dia’s fondest memories are embedded must now be brought down because the local political authorities feel it a waste of prime real estate. Dia picks up the gauntlet to turn this ruin into a vibrant and bustling theatre that was once the soul of her little town, while fighting discrimination, resentfulness and her own demons.